Label Operations.
Run multiple rosters from one operations backbone. Your branding, your splits, your contracts.
What actually gets moved.
Label Services is the operations backbone for independent labels, one dashboard where every artist on the roster has their own seat, every release passes label approval, and every royalty cycle pays out at both the artist and label level. The label keeps its branding, splits, contracts, identity. We provide the backbone, not the spotlight.
Onboarding a new artist is minutes, not weeks. Bulk catalog migration is scheduled, not negotiated. The label sees the whole roster in one view; each artist only sees their own work. The same release can go out with the label's imprint to platforms, while the artist still holds all credits and ownership per the label's split agreement.
A roster-wide dashboard.
Every artist on the label shows up in one operations view. Search, filter, drill into releases, jump to royalty cycles. A label that runs the label.
Per-artist splits, label-level reporting.
Every release carries its own split. Aggregate reporting at the label level for accounting, disaggregated at the artist level for payout.
Built-in approval routing.
Releases queue through whatever approval flow the label defines before they ship. A&R approves, accounting confirms the split, the release goes live. No emails.
Your branding, your contracts.
The label imprint shows up on every platform. Artist contracts stay between the label and the artist. We never sit between a label and its roster.
We onboarded twelve artists in a year. The dashboard didn't blink, and neither did our accountant.
Each label gets its own tenant on the operations layer. The tenant configures imprint metadata, approval flows, split templates, and reporting cycles. New artists are invited by email; they accept and the seat shows up in the roster view with whatever permissions the label grants.
Bulk operations matter at this scale. Batch metadata updates, batch takedowns, batch split configuration, every operation that needs to run on N releases runs once, not N times. Label accountants get one ledger export, not thirty-two.
The label is the backbone. Releases flow through Distribution; careers on the roster get shaped through Artist Management. The dashboard sees both.