Global Distribution.
Upload once, 150+ stores, your catalog stays on platforms without an annual fee. We recommend setting a release date 7–14 days from submission, so there's room for playlist pitching and pre-save funnels.
What actually gets moved.
A release is a pile of files and a calendar. Distribution is the job of making sure both are right at the same time, audio in lossless, metadata in the format each store wants, release date held across every territory at once. We give artists one dashboard, give the platforms what they want, and refuse to charge for being the middle layer.
Once a track is live, it stays live. No yearly hosting fee, no "your release is expiring" emails, no quiet takedowns when a payment is late. It only comes down if you ask. The catalog is yours; the registry that proves it is yours too.
One upload, every store.
One dashboard, one set of metadata, one approve button. We translate the file into the 150+ boxes each platform shapes, so the artist doesn't have to.
Lead time that makes sense.
We recommend setting a release date 7–14 days from submission, it's the window needed for editorial pitching, pre-save funnels, and clean delivery to platforms. Applies to every tier. Pro+ gets a priority queue, so releases are processed first and the lead time can be compressed more aggressively for time-sensitive drops.
Catalog stays on the shelf.
Tracks stay online as long as you don't request a takedown. No annual renewals, no "your catalog has expired" emails, no quiet removals when you stop subscribing.
Splits without lawyers.
Multi-artist splits are set in the dashboard before the release. Payouts route automatically; no escrow fights, no spreadsheets, no chasing.
I stopped checking which stores my releases actually landed in. After three releases I trusted them all to go in, and that was the only relationship with a distributor that ever made sense to me.
Audio is accepted in lossless WAV or FLAC, transcoded to each platform's preferred codec, and delivered alongside DDEX-compliant metadata. Pre-save links are generated when the release is locked. ISRC and UPC codes are allocated automatically if the artist doesn't have them, or accepted as-is if they do.
Releases pass automated metadata validation before they leave the pipeline, featured credit typos, mismatched artist names, missing language tags, all flagged before a platform rejects them. Re-delivery for metadata fixes is free.
A distributed release is a starting line, not a finish. The numbers it generates show up in Analytics; the rights that go active are watched by Rights Management. Both connect to the same dashboard the upload came from.